{"id":2760,"date":"2023-05-10T18:31:24","date_gmt":"2023-05-10T18:31:24","guid":{"rendered":"https:\/\/new.tehrancmf.com\/?page_id=2760"},"modified":"2023-05-13T18:42:37","modified_gmt":"2023-05-13T18:42:37","slug":"anahita-abassi","status":"publish","type":"page","link":"https:\/\/tehrancmf.com\/fa\/composers\/anahita-abassi\/","title":{"rendered":"\u0622\u0646\u0627\u0647\u06cc\u062a\u0627 \u0639\u0628\u0627\u0633\u06cc"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space alter_height=&#8221;huge&#8221; hide_on_mobile=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;2523&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"sc_title_1925749129\"\r\n\t\tclass=\"sc_title color_style_default sc_title_default\"><h6 class=\"sc_item_subtitle sc_title_subtitle sc_align_left sc_item_title_style_default\">\u0622\u0646\u0627\u0647\u06cc\u062a\u0627 \u0639\u0628\u0627\u0633\u06cc<\/h6><h6 class=\"sc_item_title sc_title_title sc_align_left sc_item_title_style_default sc_item_title_tag\">\u0628\u06cc\u0648\u06af\u0631\u0627\u0641\u06cc<\/h6><\/div><!-- \/.sc_title -->[vc_empty_space alter_height=&#8221;small&#8221; hide_on_mobile=&#8221;&#8221;][vc_column_text]<\/p>\n<p style=\"font-size: 14px;\">\u0622\u0646\u0627\u0647\u06cc\u062a\u0627 \u0639\u0628\u0627\u0633\u06cc \u0645\u062a\u0648\u0644\u062f \u06f1\u06f3\u06f6\u06f3 \u062f\u0631 \u0634\u06cc\u0631\u0627\u0632\u060c \u062f\u0631 \u0633\u0646 \u0647\u0634\u062a \u0633\u0627\u0644\u06af\u06cc \u0641\u0631\u0627\u06af\u06cc\u0631\u06cc \u0645\u0648\u0633\u06cc\u0642\u06cc \u0631\u0627 \u0622\u063a\u0627\u0632 \u06a9\u0631\u062f \u0648 \u062c\u0648\u0627\u06cc\u0632 \u0645\u062a\u0639\u062f\u062f\u06cc \u0627\u0632 \u062c\u0634\u0646\u0648\u0627\u0631\u0647 \u0647\u0627\u06cc \u0645\u0648\u0633\u06cc\u0642\u06cc \u062f\u0631 \u0627\u06cc\u0631\u0627\u0646 \u0628\u0647 \u0639\u0646\u0648\u0627\u0646 \u0646\u0648\u0627\u0632\u0646\u062f\u0647 \u067e\u06cc\u0627\u0646\u0648 \u06a9\u0633\u0628 \u06a9\u0631\u062f.\u200e\u0627\u0648 \u067e\u0633 \u0627\u0632 \u0645\u0647\u0627\u062c\u0631\u062a \u0628\u0647 \u0627\u062a\u0631\u06cc\u0634(\u06f1\u06f3\u06f8\u06f4) \u062f\u0631 \u062f\u0627\u0646\u0634\u06af\u0627\u0647 \u0645\u0648\u0633\u06cc\u0642\u06cc \u06af\u0631\u0627\u062a\u0633\u060c \u062a\u0626\u0648\u0631\u06cc \u0645\u0648\u0633\u06cc\u0642\u06cc \u0631\u0627 \u0646\u0632\u062f Clemens Gadenstaetter \u0648 \u0622\u0647\u0646\u06af\u0633\u0627\u0632\u06cc \u0631\u0627 \u0646\u0632\u062f Beat Furrer \u0648 Pierluigi Billone \u0622\u0645\u0648\u062e\u062a. \u200e\u062f\u0631 \u06a9\u0646\u0627\u0631 \u062a\u062d\u0635\u06cc\u0644\u0627\u062a \u062f\u0627\u0646\u0634\u06af\u0627\u0647\u06cc\u060c \u0648\u06cc \u0647\u0645\u0686\u0646\u06cc\u0646 \u0627\u0632 \u0633\u0627\u0644 \u06f1\u06f3\u06f9\u06f0 \u062f\u0631 \u06a9\u0646\u0627\u0631 \u0622\u0647\u0646\u06af\u0633\u0627\u0632\u0627\u0646 \u0628\u0632\u0631\u06af\u06cc \u0647\u0645\u0686\u0648\u0646 Georges Aperghis \u060c Franck Bedrossian \u0648 Philippe Leroux \u0628\u0647 \u0641\u0631\u0627\u06af\u06cc\u0631\u06cc \u0645\u062a\u0648\u0646 \u0622\u0647\u0646\u06af\u0633\u0627\u0632\u06cc \u067e\u0631\u062f\u0627\u062e\u062a.\u0622\u062b\u0627\u0631 \u0622\u0646\u0627\u0647\u06cc\u062a\u0627 \u0639\u0628\u0627\u0633\u06cc \u062f\u0631 \u0633\u0631\u0627\u0633\u0631 \u062c\u0647\u0627\u0646 \u062f\u0631 \u062c\u0634\u0646\u0648\u0627\u0631\u0647 \u0647\u0627\u06cc \u0645\u062e\u062a\u0644\u0641\u06cc \u0686\u0648\u0646 Darmstadt Ferienkurse (\u0622\u0644\u0645\u0627\u0646)\u060c Ircam \u2013 Manifest (\u0641\u0631\u0627\u0646\u0633\u0647)\u060c Matrix -SWR (\u0622\u0644\u0645\u0627\u0646)\u060c BIFEM (\u0627\u0633\u062a\u0631\u0627\u0644\u06cc\u0627)\u060c Klangspuren Schwaz (\u0627\u062a\u0631\u06cc\u0634) Time of music (\u0641\u0646\u0644\u0627\u0646\u062f)\u060c \u062c\u0634\u0646\u0648\u0627\u0631\u0647 \u0627\u0637\u0644\u0633 (\u0647\u0644\u0646\u062f), \u062c\u0634\u0646\u0648\u0627\u0631\u0647 \u0628\u06cc\u0646 \u0627\u0644\u0645\u0644\u0644\u06cc \u0645\u0648\u0633\u06cc\u0642\u06cc Tongyeong (\u06a9\u0631\u0647) \u0648 \u062c\u0634\u0646\u0648\u0627\u0631\u0647 Impuls (\u0627\u062a\u0631\u06cc\u0634) \u0627\u062c\u0631\u0627 \u0634\u062f\u0647 \u0627\u0633\u062a. \u0648\u06cc \u062f\u0631 \u0633\u0627\u0644 2014 \u0628\u0648\u0631\u0633\u064a\u0647 \u06a9\u0627\u0631\u06cc \u0631\u0627 \u0627\u0632 Experimentalstudio des SWR \u0641\u0631\u0627\u06cc\u0628\u0648\u0631\u06af \u0648 \u062f\u0631 \u0633\u0627\u0644 2015 \u062c\u0627\u06cc\u0632\u0647 \u0622\u0647\u0646\u06af\u0633\u0627\u0632\u0627\u0646 \u062c\u0648\u0627\u0646 \u201c\u0645\u0648\u0631\u062a\u0648\u0646 \u06af\u0644\u062f \u0627\u0633\u06a9\u067e \u201c\u062f\u0631 \u0627\u0645\u0631\u064a\u06a9\u0627 \u0631\u0627 \u062f\u0631\u06cc\u0627\u0641\u062a \u06a9\u0631\u062f \u0648 \u062f\u0631 \u06f2\u06f0\u06f17 \u0639\u0646\u0648\u0627\u0646 \u00ab\u0622\u0647\u0646\u06af\u0633\u0627\u0632\u0627\u0646 \u0632\u0645\u0627\u0646 \u0645\u0627\u00bb \u0631\u0627 \u06af\u0631\u0641\u062a. \u0627\u0648 \u0647\u0645\u0686\u0646\u064a\u0646 \u0627\u0632 \u0628\u0646\u06cc\u0627\u0646\u06af\u0630\u0627\u0631\u0627\u0646 \u06af\u0631\u0648\u0647 \u0645\u0648\u0633\u064a\u0642\u06cc Schallfeld \u062f\u0631 \u0627\u062a\u0631\u064a\u0634 \u0648 IFCA (\u0627\u0646\u062c\u0645\u0646 \u0627\u0647\u0646\u06af\u0633\u0627\u0632\u0627\u0646 \u0632\u0646 \u0627\u06cc\u0631\u0627\u0646\u06cc) \u062f\u0631 \u0622\u0645\u0631\u06cc\u06a9\u0627 \u0645\u06cc \u0628\u0627\u0634\u062f.\u0648\u06cc \u062f\u0631 \u062d\u0627\u0644 \u062d\u0627\u0636\u0631 \u062f\u0631 \u062f\u0627\u0646\u0634\u06af\u0627\u0647 \u06a9\u0627\u0644\u06cc\u0641\u0631\u0646\u06cc\u0627 \u0633\u0646 \u062f\u06cc\u06af\u0648 \u0628\u0647 \u06af\u0631\u0641\u062a\u0646 \u0645\u062f\u0631\u06a9 \u062f\u06a9\u062a\u0631\u0627 \u0628\u0627 Rand Steiger \u0645\u0634\u063a\u0648\u0644 \u0645\u064a\u0628\u0627\u0634\u062f.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space alter_height=&#8221;small&#8221; hide_on_mobile=&#8221;&#8221;]<div id=\"sc_title_1777127511\"\r\n\t\tclass=\"sc_title color_style_default sc_title_default\"><h6 class=\"sc_item_title sc_title_title sc_align_left sc_item_title_style_default sc_item_title_tag\">\u0641\u0647\u0631\u0633\u062a \u0622\u062b\u0627\u0631<\/h6><\/div><!-- \/.sc_title -->[vc_empty_space alter_height=&#8221;small&#8221; hide_on_mobile=&#8221;&#8221;][vc_tta_tabs][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u0645\u0648\u0633\u06cc\u0642\u06cc \u0645\u062c\u0644\u0633\u06cc \u0648 \u0633\u0648\u0644\u0648&#8221; tab_id=&#8221;1683999602789-74d36224-61e9&#8243;][vc_column_text]<strong>No, I am not roaming aimlessly<\/strong>\u00a0for solo Flute \u2013 10\u2032<br \/>\nCommissioned by Ine Vanoeveren<br \/>\nPremiere: January 2017, San Diego, New York, USA<br \/>\n<strong>Situation IV \/ Io e iO<\/strong>\u00a0for solo violin \u2013 11\u2032<br \/>\nCommissioned by Marco Fusi<br \/>\npremiere: May 2016, Paris, France<br \/>\n<strong>Schattenfragmente<\/strong>\u00a0for solo accordion \u2013 12 min<br \/>\npremiere: 2011, Austria, Irland, Netherlands, Germany<br \/>\n<strong>Stagnant color Palette<\/strong>\u00a0for solo harp \u2013 8 min<br \/>\nPremiere: 2011, Den Haag, Netherlands<br \/>\n<strong>Sirvent\u00e8s<\/strong>\u00a0for Percussion &amp; Cello \u2013 10 min<br \/>\nCommissioned by Ume Duo<br \/>\npremiere: May 2017, Teheran, Iran<br \/>\n<strong>Distorted<\/strong>\u00a0<strong>Attitudes<\/strong>\u00a0<strong>III\/ Scattered<\/strong>\u00a0for Baritone, Percussion \u2013 12 min<br \/>\npremiere: January 2015, San Diego, USA<br \/>\n<strong>FAAB I<\/strong>\u00a0for Sopran, Bariton \u2013 2 min<br \/>\ncommissioned by Schoenberg center Vienna<br \/>\npremiere: March 2013, Vienna, Austria<br \/>\n<strong>Incipio, bibo<\/strong>\u00a0for Voice, Perc. Cl. \u2013 13 min<br \/>\nCommissioned by Offspring Ensemble<br \/>\npremiere: September 2017, Sydney, Australia<br \/>\n<strong>Enigma patterns<\/strong>\u00a0for Kl, Pn, Vl \u2013 7 min<br \/>\nCommissioned by Platypus Ensemble<br \/>\npremiere: June 2017, Wien, Austria<br \/>\n<strong>Situation<\/strong>\u00a0<strong>III \/ Je, Tu, Nous<\/strong>\u00a0for Percussion Trio \u2013 8 min<br \/>\nwritten for IRCAM Manifeste Academy 2016\/ Percussion Ensemble<br \/>\npremiere: June 2016, Paris 104, France<br \/>\n<strong>Moving Surfaces III \/ Another birth<\/strong>\u00a0for Piano, Tenor Sax, Percussion \u2013 15 min<br \/>\nCommissioned by Tamgram trio<br \/>\npremiere: November 2015, Spain<br \/>\n<strong>Distorted Attitudes V\/ Coinciding Destinations \u2013 Klangforum Quartet<\/strong>\u00a0for Viola, Sax, Accordion, Double bass \u2013 10 min<br \/>\nCommissioned by Open music<br \/>\npremiere: December 2017, Graz, Austria<br \/>\n<strong>Distorted Attitudes IV \/ Facile synthesis\u00a0<\/strong>for\u00a0String Quartet\u00a0\u2013 7 min<br \/>\nWritten for Quatour Diotima, Time of music festival<br \/>\npremiere: July 2015, Time of music festival, Finland<br \/>\n<strong>Ahou<\/strong>\u00a0for Pan flute, Guitarre, Harp, Mezzo Sopran \u2013 4 min<br \/>\nCommissioned by Duo Verso &amp; Duo Bilitis, Grachten Festival &amp; Amnesty House Amsterdam<br \/>\npremiere: Summer 2011, Amsterdam, Den Haag, Netherlands<br \/>\n<strong>Cordatum<\/strong>\u00a0for Ensemble companion piece to Octandre\/ Varese\u2028 \u2013\u00a0 7 min<br \/>\nCommissioned by Reed Family concert series \/ Steven Schick<br \/>\nPremiere: February 2017, San Diego, USA<br \/>\n<strong>The Matter of Time- within Hadal and Epi<\/strong>\u00a0\u2013 15 min<br \/>\ncommissioned by Schallfeld Ensemble-funded by Siemens foundation<br \/>\npremiere: November 2018,Graz, Austria<br \/>\n<strong>Situation I \/ Incidents<\/strong>\u00a0for Tenor sax, Accordion, Piano, Violoncello, Percussion. Double bass \u2013 12 min<br \/>\ncommissioned by Vertixe Sonora Ensemble<br \/>\npremiere: November 2016, Spain<br \/>\nSituation II \/ Dialoge ( Fl, Cl, Sax, Vl, Vc, Db, Pn, &amp; Objects) ~ 9 min\u2028commissioned by Festival Tage neuer Musik Graz, Schallfeld ensemble<br \/>\npremiere: May 2016, Graz, Austria<br \/>\nGerman Premiere: August 2016, Darmstadt Ferienkurse 2016, Germany<br \/>\nFaab IV \/ a femme fatale ( Flute, Clarinet, Piano, Violin, Viola, Cello) ~ 9 min\u2028Revised version for Neuverband Ensemble<br \/>\npremiere: March 2016 , Basel, Switzerland<br \/>\nMoving Surfaces II (Fl, Cl, Pn, Vl, Vc, Db, 2 perc) ~ 10 min\u2028written for Callithumpian Consort<br \/>\npremiere: October 2015, San Diego, USA<br \/>\n<strong>Faab IV \/ a femme fatale<\/strong>\u00a0for Flute, Clarinet, Piano, Violin, Viola, Violoncello \u2013 7 min<br \/>\nCommissioned by Schallfeld Ensemble<br \/>\npremiere: June 2014, Graz, Austria<br \/>\n<strong>Distorted<\/strong>\u00a0<strong>Attitudes II \/ Labyrinth<\/strong>\u00a0for Flute, Sax, Bason, Violin, Violoncello, Double bass \u2013 7 min<br \/>\nCommissioned by die andere saite, written for Schallfeld ensemble<br \/>\npremiere: March 2014, Graz, Austria<br \/>\n<strong>Sama<\/strong>\u2019 for Duduk, Pan flute, Erhu, Viola da gamba, Double bass, Percussion, Qanun, Mezzo Soprano and Baritone \u2013 8 min<br \/>\ncommissioned by Ensemble Zerafin<br \/>\npremiere: 2012, Amsterdam Tillburg, Alkmaar, Eindhoven and Den Haag, Netherlands<br \/>\n<strong>Zavaya<\/strong>\u00a0for Nay, Violin, Viola, Violoncello, Chang, Percussion \u2013 12 min<br \/>\ncommissioned by Ensemble Omnibus, TIMF ( Tongyoung music festival in Korea)<br \/>\npremiere: 2012 Korea, Kazachszan, Uzbakistan<br \/>\n<strong>Paso<\/strong>\u00a0<strong>a Paso<\/strong>\u00a0for Petzold block flute, Pan flute, Viola, Accordion, Percussion ) \u2013 7:30 min<br \/>\ncommissioned by Ensemble Black pencil<br \/>\npremiere: 2012, Amsterdam, Netherlands<br \/>\n<strong>Safar<\/strong>\u00a0<strong>II<\/strong>\u00a0for Shakuhachi, Pan flute., Erhu, Pipa, Percussion \u2013 5:30 min<br \/>\npremiere: summer 2011, Amsterdam, Netherlands[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u0627\u0631\u06a9\u0633\u062a\u0631\u0627\u0644&#8221; tab_id=&#8221;1683999672266-a2f2e868-ff23&#8243;][vc_column_text]<\/p>\n<div class=\"wpb_wrapper\"><strong>Within the shifting grounds<\/strong>\u00a0for symphony orchestra and ensemble \u2013 12-15 min<\/div>\n<div class=\"wpb_wrapper\">commissioned by San Fransisco youth Symphony Orchestra &amp; ICE\u2028written for San Francisco Symphony Youth Orchestra and ICE<br \/>\npremiere: March 2018, San Fransisco, USA<\/div>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u06a9\u0631\u0627\u0644&#8221; tab_id=&#8221;1683999730229-9de36932-90eb&#8221;][vc_column_text]<strong>Incipio, bibo<\/strong>\u00a0for Voice, Percussion, Clarinet \u2013 13 min<br \/>\nCommissioned by Offspring Ensemble<br \/>\npremiere: September 2017, Sydney, Australia<br \/>\n<strong>Seven Impressions<\/strong>\u00a0for Voice, Percussion \u2013 11 min<br \/>\nCommissioned by Klangspuren Schwaz<br \/>\npremiere: September 2017, Klangspuren festival, Austria<br \/>\n<strong>Togetherness<\/strong>\u00a0the Vocal piece for 16 Voices \u2013 9 min<br \/>\ncommissioned by New York Virtuoso singers<br \/>\npremiere May 2017, New York, USA<br \/>\n<strong>Elixir (Night &amp; Mystery)<\/strong>\u00a0for Tuba, trombone, Baritone \u2013 8 min<br \/>\nCommissioned by Jonathan Nussman<br \/>\npremiere: March 2017, San Diego, USA<br \/>\n<strong>Vocal piece<\/strong>\u00a0for 14 Voices\/singers, 1 Persian Instrument and Electronics \u2013 8 min<br \/>\ncommissioned by ACIMC. 1695 Project<br \/>\npremiere: December 2016, Shiraz, Iran<br \/>\n<strong>Distorted Attitudes III\/ Scattered<\/strong>\u00a0for Baritone, Percussion \u2013 12 min<br \/>\npremiere: January 2015, San Diego, USA<br \/>\n<strong>Ahou<\/strong>\u00a0for Pan flute, Guitar, Harp, Mezzo Soprano \u2013 4 min<br \/>\nCommissioned by Duo Verso &amp; Duo Bilitis, Grachten Festival &amp; Amnesty House Amsterdam<br \/>\npremiere: Summer 2012, Amsterdam, Den Haag, Netherlands[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u0627\u0644\u06a9\u062a\u0631\u0648\u0646\u06cc\u06a9&#8221; tab_id=&#8221;1683999886478-4e173f3c-14ab&#8221;][vc_column_text]<strong>STIMULUS\u00a0<\/strong>for\u00a0solo Flute &amp; Electronics \u2013 30 min<br \/>\ncommissioned by Ine Vanoeveren<br \/>\npremiere: Summer 2018, Darmstadt Ferienkurse, Germany<\/p>\n<p><strong>Intertwined<\/strong>\u00a0<strong>Distances<\/strong>\u00a0for solo Harpsichord &amp; Electronics \u2013 10 min<br \/>\ncommissioned by Mahan Esfahani<br \/>\npremiere: March 2018, Madrid, Spain<br \/>\n<strong>Sketch<\/strong>\u00a0<strong>II<\/strong>\u00a0for solo kamancheh, tape and live electronics \u2013 6 min<br \/>\nwritten for ICM conference, San Diego<br \/>\npremiere: February 2016, San Diego, USA<br \/>\n<strong>FAAB<\/strong>\u00a0<strong>III, Re-route<\/strong>\u00a0for 5 dancers, bass flute, tape and live electronics \u2013 8 min<br \/>\npremiere: December 2013, Graz, Austria<br \/>\n<strong>Sketch<\/strong>\u00a0for solo setar, tape, live electronic \u2013 4:30 min<br \/>\npremiere: Matrix 2012, Atlas academy &amp; Experimental studio des SWR Freiburg, Amsterdam<br \/>\n<strong>Dropping furniture<\/strong>\u00a0the music for film, 4 channel tape \u2013 4:30<br \/>\npremiere: 2011, Graz, Austria[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_empty_space alter_height=&#8221;huge&#8221; hide_on_mobile=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;2523&#8243; 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