{"id":2744,"date":"2023-05-13T17:17:59","date_gmt":"2023-05-13T17:17:59","guid":{"rendered":"https:\/\/new.tehrancmf.com\/?page_id=2744"},"modified":"2023-05-13T18:14:34","modified_gmt":"2023-05-13T18:14:34","slug":"shahriar-sharifpour","status":"publish","type":"page","link":"https:\/\/tehrancmf.com\/fa\/composers\/shahriar-sharifpour\/","title":{"rendered":"\u0634\u0647\u0631\u06cc\u0627\u0631 \u0634\u0631\u06cc\u0641\u200c\u067e\u0648\u0631"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space alter_height=&#8221;huge&#8221; hide_on_mobile=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;2709&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"sc_title_1934878566\"\r\n\t\tclass=\"sc_title color_style_default sc_title_default\"><h6 class=\"sc_item_subtitle sc_title_subtitle sc_align_left 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\u0622\u0647\u0646\u06af\u0633\u0627\u0632\u06cc \u0634\u062f \u0648 \u0646\u06cc\u0632 \u0628\u0647 \u0645\u062f\u062a \u06f1 \u0633\u0627\u0644 \u0631\u0647\u0628\u0631\u06cc \u0627\u0631\u06a9\u0633\u062a\u0631 \u0631\u0627 \u0646\u0632\u062f Philippe G\u00e9rard \u06af\u0630\u0631\u0627\u0646\u062f. \u0648\u06cc \u062f\u0648\u0631\u0647 \u0647\u0627\u06cc \u0622\u0647\u0646\u06af\u0633\u0627\u0632\u06cc \u0645\u062a\u0646\u0648\u0639\u06cc \u0631\u0627 \u06af\u0630\u0631\u0627\u0646\u062f\u0647 \u0627\u0633\u062a\u060c \u0627\u0632 \u062c\u0645\u0644\u0647 \u0628\u0627 \u0627\u0633\u0627\u062a\u06cc\u062f\u06cc \u0647\u0645\u0686\u0648\u0646 : Elisabeth Chojnacka, Guillaume Connesson, Graham Fitkin, Frederic Rzewski, John Kruse, Osmose Intermezzo \u0648 Courants d\u2019airs. \u0634\u0647\u0631\u06cc\u0627\u0631 \u0634\u0631\u06cc\u0641 \u067e\u0648\u0631\u0647\u0645 \u0627\u06a9\u0646\u0648\u0646 \u062f\u0631\u0628\u0644\u0698\u06cc\u06a9 \u0628\u0647 \u062a\u062f\u0631\u06cc\u0633 \u0645\u0648\u0633\u06cc\u0642\u06cc \u0627\u0634\u062a\u063a\u0627\u0644 \u062f\u0627\u0631\u062f \u0648\u0628\u0627 \u06af\u0631\u0648\u0647 \u0647\u0627\u06cc \u0645\u062a\u0641\u0627\u0648\u062a\u06cc \u0628\u0647 \u0627\u062c\u0631\u0627\u06cc \u0645\u0648\u0633\u06cc\u0642\u06cc \u0645\u06cc\u067e\u0631\u062f\u0627\u0632\u062f \u0648 \u0628\u0647 \u0635\u0648\u0631\u062a \u0645\u0642\u0637\u0639\u06cc \u062f\u0631 \u067e\u0631\u0648\u0698\u0647 \u0647\u0627\u06cc \u0645\u062e\u062a\u0644\u0641\u06cc \u0628\u0627 \u0645\u0631\u0627\u06a9\u0632 \u0647\u0646\u0631\u06cc \u0645\u0648\u0633\u06cc\u0642\u06cc \u0647\u0645\u06a9\u0627\u0631\u06cc \u0645\u06cc\u06a9\u0646\u062f, \u0622\u062e\u0631\u06cc \u067e\u0631\u0648\u0698\u0647 \u0648\u06cc (\u06f2\u06f0\u06f1\u06f9) \u0647\u0645\u06a9\u0627\u0631\u06cc \u0628\u0627 \u0645\u0631\u06a9\u0632 Bozar \u062f\u0631 \u0628\u0631\u0648\u06a9\u0633\u0644 \u0645\u06cc\u0628\u0627\u0634\u062f\u060c \u06a9\u0647 \u062a\u0628\u062f\u06cc\u0644 \u062a\u0635\u0648\u06cc\u0631 \u0628\u0647 \u0635\u0648\u062a \u0648 \u0645\u0648\u0633\u06cc\u0642\u06cc \u0645\u06cc\u0628\u0627\u0634\u062f.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space alter_height=&#8221;small&#8221; hide_on_mobile=&#8221;&#8221;]<div id=\"sc_title_1026177720\"\r\n\t\tclass=\"sc_title color_style_default sc_title_default\"><h6 class=\"sc_item_title sc_title_title sc_align_left sc_item_title_style_default sc_item_title_tag\">\u0641\u0647\u0631\u0633\u062a \u0622\u062b\u0627\u0631<\/h6><\/div><!-- \/.sc_title -->[vc_empty_space alter_height=&#8221;small&#8221; hide_on_mobile=&#8221;&#8221;][vc_tta_tabs][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u0645\u0648\u0633\u06cc\u0642\u06cc \u0645\u062c\u0644\u0633\u06cc \u0648 \u0633\u0648\u0644\u0648&#8221; tab_id=&#8221;1683999602789-74d36224-61e9&#8243;][vc_column_text]<strong>La Folie<\/strong>\u00a0Trio for Violon, Violoncelle et Piano (2018)<br \/>\n<strong>Angoisse de l\u2019attente<\/strong>\u00a0for Clarinette, Violon, Violoncelle and Piano (2018)<br \/>\n<strong>le printemps arrive<\/strong>\u00a0for Fl\u00fbte, Clarinette, Violon, Violoncelle and Piano (2018)<br \/>\n<strong>Je dois me d\u00e9p\u00eacher\u00a0<\/strong>for\u00a0Duo Violon et Piano (2018)<br \/>\n<strong>Imagination\u00a0<\/strong>for\u00a0Clavecin solo, participer au concert (2018)<br \/>\n<strong>Inconstance\u00a0<\/strong>for Piano four hands (2018)<br \/>\n<strong>Duo<\/strong>\u00a0for Piano et Violon (2018)<br \/>\n<strong>Perplexit\u00e9\u00a0<\/strong>for\u00a0Duo Fl\u00fbte et Marimba (2018)<br \/>\nParticiper dans le festival Osmose Intermezzo en Belgique<br \/>\n<strong>Diff\u00e9rence\u00a0<\/strong>for\u00a0Duo de Violoncelles (2017)<br \/>\nParticiper dans le festival Osmose Intermezzo en Belgique<br \/>\n<strong>\u00c0 la recherche de la jouissance<\/strong>\u00a0Duo de Fl\u00fbte et harpe\u2028 (2017)<br \/>\n<strong>Inqui\u00e9tude<\/strong>\u00a0Duo de Fl\u00fbte et Violoncelle (2017)<br \/>\n<strong>Une promenade en for\u00eat<\/strong>\u00a0Duo de Temple block et Claves (2017)<br \/>\n<strong>L\u2019intuition nocturne<\/strong>\u00a0Duo de Marimba\u00a0(2017)<br \/>\n<strong>Marimba Solo<\/strong>\u00a0(2017)<br \/>\n<strong>Trio<\/strong>\u00a0pour Clarinette, Violon et Piano\u00a0(2017)<br \/>\n<strong>Le chemin de l\u2019ivresse<\/strong>\u00a0Improvisation pour Musique \u00e9lectronique, Santour et Saxophone, inspir\u00e9e par les quatrains d\u2019Omar Khayam (2017)<br \/>\n<strong>Querelle Silencieuse<\/strong>\u00a0for Fl\u00fbte Solo\u00a0(2017)<br \/>\n<strong>Aigui\u00e8re de vin<\/strong>\u00a0pour deux Soprano, Fl\u00fbte, Clarinette, deux violon, violoncelle\u00a0(2016)<br \/>\n<strong>Danses pour deux pissenlits<\/strong>\u00a0pour deux Fl\u00fbte\u00a0(2016)<br \/>\n<strong>Un matin \u00e0 l\u2019arr\u00eat de Janson<\/strong>\u00a0pour Piano solo\u00a0(2015)<br \/>\n<strong>Le premier vol<\/strong>\u00a0Quintette pour clarinette basse\u00a0(2015)<br \/>\n<strong>Perturbation<\/strong>\u00a0pour deux Piano\u00a0(2015)<br \/>\n<strong>L\u2019aube<\/strong>\u00a0pour Clavecin, Marimba, Percussion\u00a0(2014)<br \/>\n<strong>Cela aussi passera<\/strong>\u00a0for Soprano, Mezzo-soprano, Violon, Alto, Contrebasse, Piano\u00a0(2014)<br \/>\n<strong>Limbes<\/strong>\u00a0for Piano solo\u00a0(2014)<br \/>\n<strong>Clarinette Solo\u00a0<\/strong>(2014)<br \/>\n<strong>Quatuor les cordes<\/strong>\u00a0(2014)<br \/>\n<strong>Averses<\/strong>\u00a0for Vibraphone solo\u00a0(2013)<br \/>\n<strong>Piano dod\u00e9caphonique<\/strong>\u00a0(2013)<br \/>\n<strong>La fontaine<\/strong>\u00a0for Harpe solo\u00a0(2013)<br \/>\n<strong>Duo<\/strong>\u00a0pour Fl\u00fbte et Senteur\u00a0(2012)[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u0627\u0631\u06a9\u0633\u062a\u0631\u0627\u0644&#8221; tab_id=&#8221;1683999672266-a2f2e868-ff23&#8243;][vc_column_text]Arrangement pour orchestre, musique de Tango, Astor Piazzolla, Osvaldo Pugliese, Carlos Gardel (2018-2019)<br \/>\n<strong>La haine de la guerre<\/strong>\u00a0pi\u00e8ces pour orchestre\u2028 (2017)<br \/>\n<strong>Tazarv<\/strong>\u00a0pi\u00e8ces pour orchestre (2017)<br \/>\n<strong>Esp-errances<\/strong>\u00a0pi\u00e8ces pour orchestre (2016)<br \/>\n<strong>Arrangement pour orchestre (ABBA)<\/strong>\u00a0Dancing queen, Head Over Heels, Ring Ring, Super Trouper\u2028 (2015)<br \/>\n<strong>Danses<\/strong>\u00a0pi\u00e8ces pour orchestre (2013)[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u06a9\u0631\u0627\u0644&#8221; tab_id=&#8221;1683999730229-9de36932-90eb&#8221;][vc_column_text]<strong>Le Doute<\/strong>\u00a0Duo Piano et Soprano on Khayam\u2019s Poem (2019)<br \/>\n<strong>Le bonheur est un oiseau<\/strong>\u00a0Soprano, Mezzo-soprano et Alto (2017)<br \/>\n<strong>Petit souvenir<\/strong>\u00a0Duo Piano et Soprano (2015)<br \/>\n<strong>La paix<\/strong>\u00a0pour Chorale on Shamloo poems (2013)[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;\u0622\u062b\u0627\u0631 \u0627\u0644\u06a9\u062a\u0631\u0648\u0646\u06cc\u06a9&#8221; tab_id=&#8221;1683999886478-4e173f3c-14ab&#8221;][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_empty_space alter_height=&#8221;huge&#8221; hide_on_mobile=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;2709&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_empty_space alter_height=&#8221;small&#8221; hide_on_mobile=&#8221;&#8221;][vc_column_text] \u0622\u0647\u0646\u06af\u0633\u0627\u0632\u0627\u06cc\u0631\u0627\u0646\u06cc \u0645\u0642\u06cc\u0645 \u0628\u0644\u0698\u06cc\u06a9 \u0645\u06cc \u0628\u0627\u0634\u062f. \u0648\u06cc \u0627\u0628\u062a\u062f\u0627 \u0645\u0648\u0633\u06cc\u0642\u06cc \u0631\u0627 \u0628\u0627 \u0633\u0627\u0632 \u0633\u0646\u062a\u0648\u0631 \u0646\u0632\u062f \u0645\u062d\u0645\u062f \u0639\u0644\u0627\u06cc\u06cc \u0622\u063a\u0627\u0632 \u0648 \u0633\u067e\u0633 \u0627\u0632 \u0645\u062d\u0636\u0631 \u0622\u0642\u0627\u06cc\u0627\u0646 \u067e\u0631\u0648\u06cc\u0632 \u0645\u0634\u06a9\u0627\u062a\u06cc\u0627\u0646\u060c \u0631\u0636\u0627 \u0634\u0641\u06cc\u0639\u06cc\u0627\u0646 \u0648 \u2026 \u0627\u0633\u062a\u0641\u0627\u062f\u0647 \u0646\u0645\u0648\u062f. \u062f\u0631 \u0633\u0627\u0644 \u06f1\u06f3\u06f8\u06f1 \u062a\u062d\u0635\u06cc\u0644\u0627\u062a \u0645\u0648\u0633\u06cc\u0642\u06cc \u0631\u0627 \u062f\u0631 \u062f\u0627\u0646\u0634\u06af\u0627\u0647 \u0647\u0646\u0631 \u0628\u0647 \u067e\u0627\u06cc\u0627\u0646 \u0631\u0633\u0627\u0646\u062f \u0648\u0647\u0645\u0632\u0645\u0627\u0646 \u0627\u0635\u0648\u0644 \u0622\u0647\u0646\u06af\u0633\u0627\u0632\u06cc \u0648\u062a\u0644\u0641\u06cc\u0642 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